In simple form, a camera tripod is best explained as a three-legged stand used to stabilize and elevate a camera. A camera tripod can be used in either still or motion imagery. Most commonly used by professional photographers in a studio, a camera tripod is designed to capture the perfect image every time.
A camera tripod is available in several variations, including floor model or tabletop. The least expensive begins at $50.00 and goes up, depending on the size and features. A basic camera tripod is designed for consumers and is best used for amateur photography or filming. An expensive camera tripod features feet suitable for rough ground and the head of the unit is designed move smoothly for improved video recording. The most expensive, which are used is studios and professional filming, are made of wood.
A full-size camera tripod is much better equipped to handle heavier equipment, whereas a tabletop model can accommodate up to 50lbs. These portable units are ideal for traveling and where compact equipment is needed.
There are several ways that a camera tripod can be used, including a family portrait where you want to be included in the photo. Simply set the camera up on a tripod and position it so that everyone is in perfect view, set the timer on your camera, push the button to take a photo and get into place with the family. Other uses may include an instance where your hands are shaky and you want to stabilize the camera for a quality image or if you are responsible for taking school pictures. Do you remember the days of middle school when the photographer would come into the gymnasium, set up his/her background sheet and tripod? All he/she had to do was to situate the child, convince him/her to smile and snap the picture. A camera tripod makes it easy to take multiple photos, in which the subjects are in the same location, without having to worry about placement every single time. With a tripod, placement is always perfect so long as the subject is where he/she should be.
When shopping for a camera tripod, first consider the uses that you will need it for. The weight of your camera, the needed features and swivel capabilities, the locations that the tripod will be placed and the needed height. In addition, a realistic budget that you can afford will be best considered early before shopping for a camera tripod. Most photography supply stores, both online and local, may offer camera tripods. Before purchasing, be sure to check out the dealer’s reputation with the Better Business Bureau and also learn about their return policy.
Weddings are definitely one of the happiest moments in a person’s life. But, this momentous occasion does not always come as blissful as the event itself. Days and even months before the big day, couples usually cram up with the littlest details.
The process of listing down and cutting down everything into specific details—the wedding date, the venue, the reception, the caterer, the designer of the gown and suit, all the way down to the wedding coverage—are the areas where stress usually ushers in.
Due to hectic schedules, most couples usually do not pay much attention to one of the crucial things in any wedding—the wedding coverage. Despite the overwhelming tension and excitement, couples do not have to be nonchalant when choosing their wedding photographers if they want their fun times and precious memories recorded very well.
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To avoid making this slight neglect that usually leads disastrous results, couples have to decide first what kind of wedding photography they would want to have.
Most wedding photographers today categorize the types of wedding photography into two: the traditional or classic style and the wedding photojournalistic style.
The most common style used by wedding photographers today, the traditional or classic wedding photography is considered as a “timeless” and the “safest” style because you normally see in countless wedding albums. Characterized by classic poses of subjects aware of the camera, this style involves so much control from the photographer because he is in-charge in arranging individual and group shots before, during, and even after the wedding.
Having excellent portraiture skills, expect the photographer to focus more on the quality of the photograph by making the subject look great from the littlest details. Expect typical wedding photos like pre-ceremony pictures, formal shots of the bride and groom posing with brides maids and ushers, cake cutting, garter and bouquet toss, and the like when you choose a classic wedding photography. This style is ideal if the couple would want to keep portraits of family members for their wedding album.
If the couple is adventurous and unconventional, then you might want to consider the wedding photojournalistic style of photography on your big day. An increasingly popular style today, wedding photojournalism offers fresh and new style of taking photos in the occasion. Characterized by candid shots of the subjects unaware of the moving camera, the photojournalism style lets the attendees act freely to capture their pure and true emotion.
Sourcing style from his experience in journalism, the “photojournalist” pays more attention to minute details and candid shots rather than arranged ones. He’s more into eyeing interesting moments and capturing those in his lens to produce a narrative collection of images that tell a story.
Although some traditional poses will be present, expect photos that show actual emotions of the bride and groom and of other participants throughout the duration of the wedding when you choose the photojournalism style.
In order to avoid ruining the documentation of your wedding, here are some tips in making your wedding a picture perfect one:
1. Weddings are one of the most exciting chapters of one’s life. Make sure that you choose a wedding photographer that can meet all your standards. Meet with the photographer before hand the so you could discuss the details you want.
2. Inform the important participants about the schedule of photo sessions and make sure everyone attends the rehearsal to cut down the stress.
3. Have a reception area so guests can be informed about the itinerary. This will set the occasion in order.
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Taking great portraits is as much about people skills as it is about technical ability, or using the latest and greatest photographic equipment. Sure, refining your technical skills and knowledge may expand the extent of your capabilities, and using superior equipment may indeed boost your edge. But, unless you can first see through your subject's eyes, and understand her as a unique individual, and then build rapport with her so you can unveil and accentuate her finest qualities, your portraits will remain mediocre at best. Some lessons learned along my journey as a photographer may help those who choose to follow.
1. If using a tripod, compose your portrait and then take one step just to the side and forward from the camera. Do not look through the viewfinder as you capture your subject's image. This allows you to make eye contact initially with your subject, and then direct her in mood, expression, position, and the angle of gaze you are aiming for. When your subject interacts with your camera, the result can be a cold or lifeless rendering, but when you engage your subject through eye contact, expression, gestures and words, the result can be a warm and candid reflection, charged with mood or emotion.
2. If you are not using a tripod, you really should redouble your effort to maintain constant interaction with your subject. Many photographers tend to keep their eyes in the viewfinder of the camera, but this leads to your subject interacting more with the front glass in your lens than with you. Again, you do not want the sterile and lifeless rendering that most often comes when the camera serves to isolate you the photographer from your subject. Interaction with an inanimate object (your camera) can never be a substitute for interaction with another human being (you), when your goal is to capture the essence of your subject, and reflect the attitude and emotion she was feeling at that moment in time.
3. Allow your subject to be herself. A little girl dressed up in fairy wings for a special picture is very cute, and I suppose there is a place in this world for cute. But, contrast this with the little girl who just loves to dance. You put her in her everyday clothes, stand her in front of a plain backdrop, put on her favorite music and say to her, "can you show me how to dance to this song?" You should have no difficulty in capturing timeless expressions there. Now imagine a jeans and t-shirt kind of guy whose true passion in all of life is sailing. You dress him up in a tailored suit; formally pose him in front of a low key backdrop, seated in a Chippendale chair, and use classic loop lighting. What would be said of this portrait years later? "Who was this guy, an executive?" But just suppose, you photographed this same guy in his favorite t-shirt and blue jeans, at the helm of his beloved sail boat, on a beautiful late afternoon, just as the boat was coming about? What would be said of this portrait years later? "This was Charlie, doing what he loved most! That was such a glorious day." The point is, "keep it honest". Fantasy can be cute, but your subject being herself, years later this will be much more meaningful.
4. Allow your subject's expression to be honest. A frown or a grimace that is genuinely felt can be more interesting than a smile that is forced. I try to never just pose my subject and then say, "Okay, now smile for me." If you want your subject to smile then tell a joke, put on a face, or perhaps merely smile at her and she will smile back at you. People generally tend to reflect in their face what they see in yours, but in my experience this is not always so. Nevertheless, interaction with your subject is the key. That being said, the next time you have a difficult subject ask him to tell you a joke, to bring out a smile, if that's the expression you are after. If you are a professional, you know that smiles sell, but if you're an amateur, you are under no pressure to sell, so make your portraits interesting. Not everything in the world is to smile about.
5. Direct your portraits. Take control of the composition of your portraits! Do not be afraid to tell or show your subject what you want. Sometimes showing is best. I often find that actually demonstrating a pose I have in mind, works better than trying to direct my subject through words alone. If you are photographing a group, your life will be easier, if you arrange and pose the adults first. Then, work your way from oldest (or more mature and settled) to youngest of the children. The point to remember is, as the photographer, you should take charge of the shot. The success or failure of the portrait will be your responsibility, so take charge.
Engage your subject to establish and build rapport with her, to take your photos to a higher level. Make your portraits more meaningful by keeping them honest, and natural. We all know a fantasy photo can be cute, and a formally posed portrait can be graceful and dignified, if that is your subject's personality. But, a portrait that is true to the subject is always more meaningful. Allow your subject to be herself, and never force an expression. Learn to take charge and direct your portraits and you will move far ahead in your journey as a photographer. Practice your people skills with each portrait you take. People skills are the prerequisite to all else, if you want to take great portraits. Good day and happy clicking!
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